I thought to share those works that caught my eye and demanded my attention. As often as possible, photos were taken of the information tags as well so that the pertinent info can be listed, however, in editing the photos, I realized that a few were missed. Also, where possible, the artist's name is a link to their website.
In hopes of not causing art on paper overload, I am going to share my favorites in a series of 5 posts. Please pardon the occasional reflection of light on a frame or odd angle. Much of the art (paintings, drawings, photographs, etc.) was framed and under glass so it was necessary to get creative with the shots. Enjoy!
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| Michele Brody, Reflections in Tea, photo credit Jennifer Coyne Qudeen |
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| Matthew Shlian, Unholy 48, photo credit Jennifer Coyne Qudeen |
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| Matthew Shlian, Unholy 48 detail, photo credit Jennifer Coyne Qudeen |
Unholy 48, 2016
Three-dimensional, five color monoprint collage
printed on white Rives BFK
60 x 60 x 5 inches
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| Matthew Shlian, Unholy 85, photo credit Jennifer Coyne Qudeen |
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| Matthew Shlian, Unholy 85 detail, photo credit Jennifer Coyne Qudeen |
Unholy 85 (Go Down Moses/There's Fire in the Woods)
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| Norma Marquez Orozco, Diary (in 4 parts), photo credit Jennifer Coyne Qudeen |
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| Norma Marquez Orozco, Diary (in 4 parts) detail, photo credit Jennifer Coyne Qudeen |
Diary (in 4 parts), 2018
20 x 20 x 1/4 inch (10 x 10 x 1/4 inch each)
paper, translucent paper, ink and gel medium
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| Seckim Pirim, You, 2016, photo credit Jennifer Coyne Qudeen |
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| Seckim Pirim, You detail, 2016, photo credit Jennifer Coyne Qudeen |
You, 2016
300 gr bristol paper cut out
47.24 x 35.63 x 2.56 inches
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| Seckim Pirim, She, 2016, photo credit Jennifer Coyne Qudeen |
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| Seckim Pirim, She detail, 2016, photo credit Jennifer Coyne Qudeen |
She, 2016
300 gr bristol paper cut out
47.24 x 35.63 x 2.56 inches
Thank you for sharing, Jennifer! I look forward to the future posts. Love "Reflections in Tea".
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