Showing posts with label working in a series. Show all posts
Showing posts with label working in a series. Show all posts

Tuesday, October 23, 2018

Context: Language, Media and Meaning

I am honored to have work included in the exhibition Context: Language, Media and Meaning from the Surface Design Association opening this Saturday at the Fuller Craft Museum in Brookline, Massachusetts. The opening reception is 3:30 - 5 pm.

Tea Stories, Collection 1, ongoing series, Jennifer Coyne Qudeen

Bruce Hoffman, director of Gravers Lane Gallery in Philadelphia, was the juror for this exhibition of art from members of the Connecticut, Massachusetts and Rhode Island chapters of Surface Design Association (SDA).

Tea Stories, Collection 1 detail, ongoing series, Jennifer Coyne Qudeen

If you've yet to visit the Fuller, it is a jewel of a museum. You know the adage that good things come in small packages? That's the Fuller in a nutshell. Mix in fall in New England with a gathering of very talented artists and you've got the recipe for a grand weekend. For more info about the Saturday's activities, keep scrolling down for details from SDA.

Tea Stories, Collection 1 detail, ongoing series, Jennifer Coyne Qudeen

We hope you will join us for “Spend a Day With SDA” on October 27 at the Fuller Museum of Crafts in Brockton MA.  We are planning a full day of stimulating events for those who share a passion for fiber arts. Registration is now open. Beyond our core group of SDA members we are inviting interested non-members to join us. We are limiting participation to the first 100 registrants, so please reply soon to secure your spot. Feel free to spread the word to organizations and individuals who might have interest - all are welcome!
 
Our morning will be devoted to activities designed to help us get to know each other, offering opportunities to share our artistic passion and our actual work. The sharing and networking will continue as we enjoy our brown bag lunches with our new acquaintances.
 
After lunch we will have a chance to view the museum, which is the only museum devoted to craft in New England. The museum has multiple well-designed exhibition spaces and is known for its beautiful and cutting-edge exhibits. Seeing the exhibits at the Fuller is always a revelation and a treat!
 
Next up is a highlight of the day, Words Matter, a talk by Stuart Kestenbaum, which will address the connection between craft and the written word. Stu, who is currently the Poet Laureate of Maine, is the former long-term director of the Haystack Mountain School of Crafts. In addition to his prominence in the craft field, Stu is beloved for his warmth, passion, intelligence and humor. It is an honor and a thrill to have him as our day’s speaker!
 
To cap off the day, everyone is invited to the Fuller’s opening reception for the show Context: Language, Media, and Meaning from the Surface Design Association. This show, juried by Bruce Hoffman, includes work by MA, RI and CT SDA members who have of incorporated written language into their textile inspired artwork.
 
Registration for non-SDA members is now open at this link: https://www.surfacedesign.org/about/sda-at-fuller-craft-museum/. The Surface Design Association is an international organization focused on inspiring creativity, encouraging innovation, and advocating for artistic excellence as the global leader in textile-inspired art and design. We invite you join us for a day of inspiration, fun and beauty with people who share a passion for fiber art. For more information feel free to contact ellenschiffman@optonline.net.

Hope to see you on Saturday!
 

Friday, June 2, 2017

Santa Fe Retreat 2017 - And all the rest

Once again Radiant Light Art Studio has worked its magic on me.


From the first step through this lovely weathered gate,  


 the energy and warmth of the place can be felt.


Storm clouds have circled the studio all week, providing breathtaking views as well as


much needed rain for this dry land.

One of the noticeable differences between fall (our usual time here) and spring, has been the ceaseless wind. The week was ushered in by strong winds that the neighbor's flag totally unfurled and acting as a weather vane.

Jennifer Coyne Qudeen, detail of work in progress, 2017     

At some point, I wondered if it were possible to stitch the wind.


With so much zigging and zagging happening, my machine decided to have a bit of fun and throw in a tangle of threads every now and then.

Jennifer Coyne Qudeen, detail of work in progress, 2017

The story tiles and studio muse chatted 

Jennifer Coyne Qudeen, detail of work in progress, 2017

and filled me on what to do next.

Jennifer Coyne Qudeen, detail of work in progress, 2017

Sewing breaks were spent doing asemic (or arsenic as the auto-correct on my phone thought best on an Instagram post this morning) writing on paper and cloth. One such break lead me wonder if I could make the zig zag stitch resemble writing

Jennifer Coyne Qudeen, detail of work in progress, 2017

before returning to stitching the wind

Jennifer Coyne Qudeen, detail of work in progress, 2017

and circles.

52 story tiles were sliced, rearranged, stamped on and stitched with 48 of them making the cut.

One of the highlighta of this visit was meeting Marianne of Over the Rainbow blog. Back before Pam and I ventured to Santa Fe for the first time, Marianne was kind enough to recommend restaurants and places to visit. Each year since has had her traveling while we're here. Thankfully, our schedules finally coincided. What a lovely time we had!


All is now packed and the studio feels a bit empty, wistful...or maybe it's really just me. Time here is special and I am thankful for it and for being able to share it with Pam. Until next year...

Monday, May 29, 2017

Santa Fe Retreat 2017 - Story Tiles

Way back in 2010, I took a big piece of black linen and painted it white, added a tad of yellow, stamped a story within a story and then added other surface design elements before cropping it several times. A post from January 23, 2011 shows my thought process along the way as well as 88 of the 106 story tiles.

All this time, the tiles have rested quietly in a bin in my studio closet. Once or twice a year, I take them out for a few days and ponder just what the next step is. Ideas have played hide and seek with me...until I decided that they were the perfect thing to bring to Santa Fe to work on. If you follow me on Instagram, then you know that I've been

Jennifer Coyne Qudeen, work in progress 2017

stitching circles,

Jennifer Coyne Qudeen, work in progress 2017


Jennifer Coyne Qudeen, work in progress 2017

and lines,  

Jennifer Coyne Qudeen, work in progress 2017

Jennifer Coyne Qudeen, work in progress 2017

stamping and 

Jennifer Coyne Qudeen, work in progress 2017

writing stories. 

Jennifer Coyne Qudeen, work in progress 2017

I've been cutting and layering, 

Jennifer Coyne Qudeen, work in progress 2017

trying to decide which is really the front

Jennifer Coyne Qudeen, work in progress 2017

and which is the back.

Jennifer Coyne Qudeen, work in progress 2017

I've set a challenge for myself - to see how many story tiles can be finished during my time here. In the process, the thresh hold of my comfort zone is being tested. It feels good to stretch and push my creative muscles...to play, to think what if and then find out.




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